issue 1: New Beginnings
Fuse
Violet Cortes
I.
I, ticking-time bomb, blew up, splattering me
onto a balcony one night. Nothing’s been
normal since then. It was four in the morning,
I was hitting a bong; it was lockdown, we
wouldn’t have to go places again, hallelujah, not ever
again. The heat had gone to bed late, but
the breeze was finally cool and the street
was nearly quiet, slept like a baby awakened
only by cop sirens. I was sitting on dirt
and old bird shit, huddling in my hoodie, nestled
between railing and sliding-door, and as I pulled
the flame in, it lit my face up in a puddle,
and I looked into that grime...
in its hazy blue afterglow, distorted
selfies of the friends I never made, dry leaves
in wet summer, memories of missing
my peak eyeliner years, gunpowder scratching
the back of my throat. I blew out
and the smoke hit like mom’s bedtime mantras:
“Drift downstream on your lotus, just
breathe, in and out. Open your eyes
very slowly, and imagine your breath
is puffs of grey smoke floating
off. Imagine each little
wisp is a thing that you’re
scared about, or a feeling
of guilt, something you felt in
a locker room, a fight you picked
at random, a role you were
pushed into. That’s the wind
on your face. Open your eyes
again. There: it’s in
the clouds now, it’s gone.”
II.
As children, we would agonize
over mosquito bites, scratch ourselves
sleepless, touch hands to residually
hot light-bulbs, make crosses and pock-mark our skin
to get rid of the itch. We grow up and
still agonize, but that doesn’t shock us anymore.
We forget the bite. The itch
doesn’t stop, our eye loses track
in woven patterns.
When you look in the mirror and don’t
see your reflection, who is that
looking back? It’s that thing
where you take a duck and sit it
by a mirror. The bird looks at itself,
and it looks at itself, and it looks at itself,
and then crooks its head the wrong way and is a rabbit
irreversibly. Where was the rabbit if not in the bird
all along? That rabbit is red thread
in grey weaves of the duck’s life, millions
of unscratched mosquito bites, a click and a click and a look
at that Etsy store—close that tab, why’d you click that?
That rabbit woke up sun-kissed on a balcony
one Sunday, tummy a whirlpool and body
the detonate corpse of a duck: charred
cartilage and wing-twigs,
simmering puddles of duck fat
and blood, overcooked meat
with thin feathers stuck to it, beak. In her paws
the duck’s passport proclaimed
that this fowl’s forefathers had soared across
invincible oceans, hearts warmed by hopes
of raping and killing at landfall, and that therefore
the yellow-bile thread of their crime would stand out
each time she squinted to see her red pattern. The tapestry
glowed like uranium; she threw up, seized, plucked
her plumage uncontrollably, and as she caressed
every feather, running fingers down rows of prickly barbs
on their way to the trash can, gunpowder trickled
from their folds. After stashing it a while, still
de-feathering, not as hungover, that rabbit sighed
a big sigh, rolled up a five-dollar bill,
snorted that black powder. Then that rabbit
went on the internet, and that
rabbit purchased that sundress, and
that sundress is an arsonist.
Violet Cortes is a trans Latina lesbian and poet. She lives catless but loved in Tkaronto, on land stolen from those who know how to live in it.